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That said, “Nobody puts Baby in a corner, right?” she goes on. “Well, your mom probably would recognize me from a few Lifetime movies…” When I mention that I remember growing up and watching some of the more inelegant approaches with my mother over the years, Gish laughs. To some, the notion that a Lifetime-movie approach to this story would resist exploitation or sensationalism may not track given the network’s decades-long history dramatizing the violent fates of women. I just think that there is this element of justice for Jennifer.” So for me, there’s no way to be righteous about it. “I was talking to a journalist yesterday from Connecticut who has followed the case since the Amber Alert went out. “This all happened-and is still happening-in real time,” Gish says. Somewhat of a memorial to the life she had lived, it was a concerted decision to not go down a route that may have tantalized other filmmakers: exploiting and being gratuitous about the death itself. “That helps with the sensitivity, I think, and the intention of really being honorable and not exploitative of Jennifer.”Ī major chunk of the running time is devoted to Jennifer and Fotis’ love story-it wasn’t always bad-and her devotion to her children before things turned dark. Helping to convince her, beyond her empathy for Dulos’ story, was the fact that director Gail Harvey, the film’s director of photography, and editor were all women, and all of a certain age. I was worried a little bit about honoring her.” It is something I’ve never done before, playing true crime in a story that’s unresolved, that there’s no closure for. When Gone Mom came her way, Gish says, “it was one of those moments where it’s like, whoa, I followed this, so I was reticent and a little bit worried. His suicide note read, "I refuse to spend even an hour more in jail for something I had NOTHING to do with.” On a day later that month when he was supposed to appear in court, he was found in his SUV parked in his garage, where he attempted suicide by carbon monoxide poisoning. It wasn’t until January 2020 that Fotis was arrested and charged with capital murder. After she went missing, police gathered evidence pointing to his culpability in her disappearance and probable murder, including footage of him dumping trash bags that contained her blood-stained clothes. The twists might seem juicy as television material, but they’re devastating as real-life facts.ĭulos had warned authorities that Fotis had been threatening her with violence, vowing to kidnap her children and, in one incident, locking her in a bedroom and berating her following a custody dispute. Not only was it dark material, but it’s a case that’s unresolved-something that she imagines must be painful for Dulos’ children. She’s starred in several Stephen King adaptations, and of course there’s her fan-favorite work in The X-Files.īut this is a project that scared her.
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The upcoming Netflix series Midnight Mass marks her third collaboration with director Mike Flanagan, who she recently worked with on The Haunting of Hill House. Gish’s 30-plus-year career is marked by the diversity of genres she’s dabbled in, but she’s struck by how, as a self-proclaimed “fraidy-cat,” she’s frequently found herself starring in darker horror material. And the mystery of what happened to her body, and the twists and turns of just the crazy tragedy of her body not yet being found, it’s just beyond wild.” “I gravitated to it because she’s a mother. “It’s interesting what is pulled onto our radars, because I knew about the story immediately,” Gish says. That said, there was something about the Jennifer Dulos case that buried into her psyche when she first caught a headline about it just over two years ago to the day, in May 2019. While she found it hilarious, she couldn’t identify.
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She starts humming the words of the recent Saturday Night Live parody song “Murder Show,” about women’s obsessions with the spate of documentaries tracking prolific serial killers and gruesome violent crimes.
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“I’m not a true-crime aficionado,” Gish tells The Daily Beast in a Zoom interview ahead of the TV film’s premiere Saturday.
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So it was a surprise, or a coincidence, or maybe even fate, that when the script for the Lifetime movie Gone Mom: The Disappearance of Jennifer Dulos came her way, she was already familiar with the tragic story of the Connecticut mom’s disappearance and murder. That makes the actress, known for her roles in Mystic Pizza and Netflix’s The Haunting of Hill House, perhaps one of the few Americans to not have become obsessed with the ripped-from-the-headlines murder mystery genre in recent years. Annabeth Gish is not a true-crime addict.
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